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Wednesday, March 19, 2008Sensibility Tuesday, March 04, 2008Wake up!![]() Yesterday I had the privilege to have lunch with one of the great literary idols of the Arab World, Denys Johnson-Davies. He is an author and a translator Arabic-English, He translated Najeeb Mahfouz's books, the Nobel Prize Winner in 1996. Learn more about Denys Johnson-Davies Here. Sunday, March 02, 2008There Will Be Blood![]() P.T. Anderson's "There Will be Blood" marks a whole new chapter in the filmmaker's career, and in the world of cinema altogether. This is a towering achievement, one that puts its mark alongside various American classics, such as Giant, The Treasure of Sierra Madre, and Citizen Kane. It's above all a masterpiece, wonderfully directed, superbly acted, and perfectly written. Daniel Day Lewis delivers a performance worthy of Marlon Brando, Al Pacino, and other movie titans. His depiction of Daniel Plainview is simply outstanding, a man moved by greed and hatred. His character is already one of the most charismatic villains of all times, one that would make Hannibal Lecter himself get goosebumps. Paul Dano also gives a surprisingly mature performance, showing that he has come a long way since he played the silent teenager in Little Miss Sunshine. Paul Thomas Anderson shows noticeable excellence behind the cameras, giving the world a lot of unforgettable scenes. The shocking finale is a proof of the movie's excellence. Wonderful in all its aspects, "There will be Blood" is the best movie of the year and, quite possibly, of the decade. (5 Out Of 5 Stars!) Saturday, March 01, 2008No Country For Old Men![]() There's very little "good" in No Country for Old Men beyond the mesmerizing acting and viciously dark screenplay. Instead, the unholy trinity of temptation, cynicism and pure, dark, evil take center stage in this modern western directed by brothers Joel and Ethan Coen. Based on the 2003 novel by Cormac McCarthy, the movie unfolds in the dusty Texas borderlands as hunter Llewelyn Moss (Josh Brolin) stumbles upon the remnants of a desert drug deal gone bad, complete with a case containing two million dollars. Succumbing to temptation, Moss makes off with the money setting in motion a chain of events that leaves a trail of blood spattered carnage across the State as he is pursued by the ruthless, coin tossing hit man Anton Chigurh (Javier Bardem) among whose killing weapons of choice is a pneumatic air gun. Bearing little in common with pretty much any previous Coen film with the possible exception of Blood Simple, No Country for Old Men is a dark, bleak, ode to the baser elements of the human soul, and a spit in the eye to the noble ones as well. With a structural trademark hinging upon breaking the conventional norms of predictability, No Country is a movie that will unsettle you at successive turns - in the way deaths are dealt out; by its palpable tension that can almost be cut with a knife, and its periodic deviations from the narrative norm – the latter likely the only Coen brothers "quirk" for which their movies are renown. Switching back and forth between the game of cat and mouse being played out by Moss and Chigurh and the investigation of unfolding events by cynical aging Texas Sheriff Ed Bell (Tommy Lee Jones), the Coens weave a web of dangled threads that one can't help but expect will be neatly tied together at story's end, only to tie them up in ways that buck the storytelling norm and manage to be both unsatisfying and true to their nature at the same time. Unforgettable among this tableau is Bardem's Chigurh. The Spanish actor who has also appeared in Love in the Time of Cholera and Goya's Ghosts evokes the most amazing presence of a ruthless killer with his own twisted adherence to a bizarre code of ethics that nothing short of witnessing his performance can do it justice. Sadly, however, justice is one of the few items in abundance in this movie. And yet, as unhappy as I am that the Coen's screenplay defiantly refuses to cater to the audience's inherent desire for satisfaction, I grudgingly have to admire them for opting for the unpredictable. Consider the movie akin to one big coin toss – will it be heads or tales? Call it - you've been calling it your entire life. (4.5 Out of 5 Stars!) Monday, February 25, 2008When the time is Right..I'm sure you heard this expression tons and tons before, whenever you feel the need to do something you will always get someone on your way, slowing you down with the excuse that you need to wait when the time is right. My argument is, when would I know that the time is right? And how would I know that this time is the wrong one? You see, time according to the dictionary is, the system of those sequential relations that any event has to any other, as past, present, or future; indefinite and continuous duration regarded as that in which events succeed one another. Some would argue that since it's a system, there must be a right and wrong moment to it, and some would argue that it won't matter when the time comes because the system is simply just a circle. That's when I finally concluded my argument, whether it is the right thing or not, but I have come to a decision that whenever an idea pops into my head and I truely believe in it.... It is the right time! Tuesday, February 19, 2008Chill Out!![]() Sunday, February 17, 2008The Kite Runner![]() Amazing, Astounding, Brilliant, Superb. Those are the four adjectives that prop up in my head when I start describing "The Kite Runner". Khaled Hosseini's book adaptation had already captured many minds, in fact it is rumored that he himself broke down in to tears after watching the premier. I must say before I even start that I had read the book before I saw the advanced screening of "The Kite Runner". So my judgment and views may be slightly biased. Firstly, let me say it, that even though in my opinion the book was better than the final product of the movie, it is by no means a bad adaptation. I mean for a two hour movie it's got the deserved response. Things do appear a tad fast in the final twenty odd minutes, but apart from that it has succeeded what the book did. It has captured the minds and imagination of millions all across the globe. The magic woven by Khaled Hosseini, to give us a sense of remorse of joy, of sadness, of pain, of loyalty is astute in this adaptation. Especially in the very first scene, when young Hassan says, "If you tell me to eat dirt, I will. but I know you won't ask me to." Such a touching line, is bound to capture the hearts of many. The two young actors were brilliant, absolutely superb. Especially the boy who played the innocent but loyal Hassan, a boy, who refuses to give up a kite he caught because he promised his best friend that he would bring it to him, only to be abused by large bullies who beat him up and use him sexually, and then to be rebuked by his best friend as a coward. The entire act is so touching that it cannot but wet your eyes. The entire movie is well placed save the last bit. The point when Amir learns of his true relationship with Hassan and reads Hassan's first and last not to him, when he breaks down in tears feeling helpless, lonely and remorseful, that appeared a bit rushed and felt that Amir was behind a facade. In the book, Khaled Hosseini had dedicated some 10-12 pages to describe Amir's state of mind in that position. But that his made up for in the penultimate segment of the movie, when Amir stands up for Hassan's boy, his nephew, Sohrab in front of his commanding father-in-law. The ending was well deserved and I am sure will be well appreciated. It felt witnessing the torch pass down from one generation to another. Coming over to the technical aspects. First of all, the acting. Just one word-Superb. From start to finish, young Hassan and Amir, their father, his friend Rahim Khan. Everyone has been superb, especially young Hassan. Second, the direction was amazing, coupled with some brilliant camera work. The background score was also impressive. Right from the start credit track to the end credit, and I especially loved the one when Amir is in the mosque in Pakistan the western and Islamic fusion, made that extra special.All in all, this is definitely one of the better movies, and it's a welcome break from all those Iran inspired movies that we have floating all over this year. (5 out of 5 star!)
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